BLISSFUL-BOHEMIAN

Friday, March 29, 2013

Letter to a Young Poet

 I know this is long, but if you are an artist of any kind it is a must read, I came across this again after many years and it has helped me just when I needed it, I have been looking outside myself for approval, for a sign that I am a good artist and really it does not matter, what matters is that I have to paint, I have painted since I was 8 years old and I would go insane if I could not create. Read this letter by Rainer Maria Rilke and be inspired. XOXO

Paris
February 17, 1903

Dear Sir,
     Your letter arrived just a few days ago. I want to thank you for the great confidence you have placed in me. That is all I can do. I cannot discuss your verses; for any attempt at criticism would be foreign to me. Nothing touches a work of art so little as words of criticism: they always result in more or less fortunate misunderstandings. Things aren't all so tangible and sayable as people would usually have us believe; most experiences are unsayable, they happen in a space that no word has ever entered, and more unsay able than all other things are works of art, those mysterious existences, whose life endures beside our own small, transitory life.
     With this note as a preface, may I just tell you that your verses have no style of their own, although they do have silent and hidden beginnings of something personal. I feel this most clearly in the last poem, "My Soul." There, some thing of your own is trying to become word and melody. And in the lovely poem "To Leopardi" a kind of kinship with that great, solitary figure does perhaps appear. Nevertheless, the poems are not yet anything in themselves, not yet any thing independent, even the last one and the one to Leopardi. Your kind letter, which accompanied them managed to make clear to me various faults that I felt in reading your verses, though I am not able to name them specifically.
     You ask whether your verses are any good. You ask me. You have asked others before this. You send them to magazines. You compare them with other poems, and you are upset when certain editors reject your work. Now (since you have said you want my advice) I beg you to stop doing that sort of thing. You are looking outside, and that is what you should most avoid right now. No one can advise or help you - no one. There is only one thing you should do. Go into yourself. Find out the reason that commands you to write; see whether it has spread its roots into the very depths of your heart; confess to yourself whether you would have to die if you were forbidden to write. This most of all: ask yourself in the most silent hour of your night: must I write? Dig into yourself for a deep answer. And if this answer rings out in assent, if you meet this solemn question with a strong, simple "I must", then build your life in accordance with this necessity; your whole life, even into its humblest and most indifferent hour, must become a sign and witness to this impulse. Then come close to Nature. Then, as if no one had ever tried before, try to say what you see and feel and love and lose. Don't write love poems; avoid those forms that are too facile and ordinary: they are the hardest to work with, and it takes a great, fully ripened power to create something individual where good, even glorious, traditions exist in abundance. So rescue yourself from these general themes and write about what your everyday life offers you; describe your sorrows and desires, the thoughts that pass through your mind and your belief in some kind of beauty Describe all these with heartfelt, silent, humble sincerity and, when you express yourself, use the Things around you, the images from your dreams, and the objects that you remember. If your everyday life seems poor, don't blame it; blame yourself; admit to yourself that you are not enough of a poet to call forth its riches; because for the creator there is no poverty and no poor, indifferent place. And even if you found yourself in some prison, whose walls let in none of the world's sound - wouldn't you still have your childhood, that jewel beyond all price, that treasure house of memories? Turn your attention to it. Try to raise up the sunken feelings of this enormous past; your personality will grow stronger, your solitude will expand and become a place where you can live in the twilight, where the noise of other people passes by, far in the distance. And if out of , this turning within, out of this immersion in your own world, poems come, then you will not think of asking anyone whether they are good or not. Nor will you try to interest magazines in these works: for you will see them as your dear natural possession, a piece of your life, a voice from it. A work of art is good if it has arisen out of necessity. That is the only way one can judge it. So, dear Sir, I can't give you any advice but this: to go into yourself and see how deep the place is from which your life flows; at its source you will find the answer to, the question of whether you must create. Accept that answer, just as it is given to you, without trying to interpret it. Perhaps you will discover that you are called to be an artist. Then take that destiny upon yourself, and bear it, its burden and its greatness, without ever asking what reward might come from outside. For the creator must be a world for himself and must find everything in himself and in Nature, to whom his whole life is devoted.
     But after this descent into yourself and into your solitude, perhaps you will have to renounce becoming a poet (if, as I have said, one feels one could live without writing, then one shouldn't write at all). Nevertheless, even then, this self searching that I ask of you will not have been for nothing. Your life will still find its own paths from there, and that they may be good, rich, and wide is what I wish for you, more than I can say.
     What else can I tell you? It seems to me that everything has its proper emphasis; and finally I want to add just one more bit of advice: to keep growing, silently and earnestly, through your whole development; you couldn't disturb it any more violently than by looking outside and waiting for outside answers to questions that only your innermost feeling, in your quietest hour, can perhaps answer.
     It was a pleasure for me to find in your letter the name of Professor Horacek; I have great reverence for that kind, learned man, and a gratitude that has lasted through the years. Will you please tell him how I feel; it is very good of him to still think of me, and I appreciate it.
     The poem that you entrusted me with, I am sending back to you. And I thank you once more for your questions and sincere trust, of which, by answering as honestly as I can, I have tried to make myself a little worthier than I, as a stranger, really am.
Yours very truly,
Rainer Maria Rilke

11 comments:

Shawna said...

Oh, I completely agree. This is an excellent book full of sage advice. And you are so right; when you must paint, you must paint. It is not the end result that matters so much, but the process. In the act, you are an artist. It matters not nearly as much how the piece looks when you are finished. It is how you feel while you are painting that is the true artistic expression.

Minerva Black the shoppe keeping cat said...

How wonderful! It was indeed worth reading right through. So true. It reminds me of the saying, 'an artist creates because they must'. Whatever the medium, books, poems, paint, carpentry, sculpture - fabric, it is all the same.
Minerva ~

Annie said...

Shawna, I am so glad you read it through! Welcome to my blog. xoxo

Minerva,Brave soul who was not put off by it's length, I agree, it matters not what you create, what ever medium as long as it is a passion. xoxo

sukipoet said...

actually what I like best is your own comment "I would go insane if I didn't (paint). I have been unable to paint or craft for some time now and am convinced it is doing me ill. somehow I work out my emotions and angst via painting. must get back to it. I do have this whole book by Rilke. He is wonderful. thanks, Annie. And i hope I said but might not have thank you so much for buying my book and being so supportive of me as a poet. It means a lot to me. Love, Suki

ArtPropelled said...

Annie, I enjoyed reading this, thank you.

Annie said...

Suki, Thank you and I cannot wait to get your book! You are a wonderful poet, the painting will come when you feel it. xoxo

Robyn, Glad it gave you pleasure. xoxo

kj said...

i will come back to read this, annie. but for now just stopping by to say i am thinking of you and wish you a holy happy day tomorrow. even a hell filled day :^)

xoxoxoxoxoxoxo

Houseelf said...

Happy Easter!
Thanks for sharing. I have a similar "problem" I create because I can't not. :-)

Annie said...

Kj, Thank you, Happy Easter to you to, I will have a hell of a day creating art, no hidden easter eggs around here. xoxo

Melanie, You too. :-). xoxo

yoborobo said...

Hi Annie! This letter was so interesting, and I think I'll have to come back and read it again to let it all sink in some. Enjoying the process of making art, and pleasing ourselves first. Telling the internal critic to take a hike. Things I try to remember daily. :)) xox

Annie said...

Pam, me too. xoxo